Overview
Since its beginnings, opera has depended on recognition as a central aspect of both plot and theme. Though a standard feature of opera, recognition--a moment of new awareness that brings about a crucial reversal in the action--has been largely neglected in opera studies. In Recognition in Mozart's Operas, musicologist Jessica Waldoff draws on a broad base of critical thought on recognition from Aristotle to Terence Cave to explore the essential role it plays in Mozart's operas. The result is a fresh approach to the familiar question of opera as drama and a persuasive new reading of Mozart's operas.
- | Author: Jessica Waldoff
- | Publisher: Oxford University Press
- | Publication Date: Apr 13, 2006
- | Number of Pages: 352 pages
- | Binding: Hardback or Cased Book
- | ISBN-10: 0195151976
- | ISBN-13: 9780195151978
