null Skip to main content

✨ Buy more, save 5% Ends

Aesthetics After Modernism

Aesthetics After Modernism

$147.57
(No reviews yet) Write a Review
Physical book delivery

Shipping calculated at checkout.

Estimated delivery
Adding to cart… The item has been added
Product Details
Author:
Diarmuid Costello
Publisher:
Oxford University Press
Publication Date:
Sep 03, 2024
Number of pages:
320 pages
Binding:
Hardback or Cased Book
ISBN-10:
0197756395
ISBN-13:
9780197756393

Overview

Aesthetics after Modernism defends the ongoing relevance of aesthetics to art after modernism. Diarmuid Costello traces the art world's rejection of aesthetics to Clement Greenberg's success in co-opting the discourse of aesthetics, notably Kant's aesthetics, to underwrite a formalist theory of aesthetic value. This has led to Kant's aesthetics being tarred with the brush of Greenbergian formalism; it has also encouraged subsequent critics and theorists to miss the resources in Kant's aesthetics for capturing our cognitive relation to precisely the kinds of art that interest them. There is a tendency to assume that Kant's aesthetics cannot speak to the more cognitive aspects of our engagement with art. Costello offers an interpretation of Kant's aesthetics, grounded in his theory of art, that aims to show otherwise. Conceptual Art provides an instructive test case: here is an art that, at least in its more purist forms, claimed to forgo sensible properties altogether, in favour of direct engagement with ideas. But if Kant's aesthetics can be shown to accommodate our cognitive relation to works with no sensible features relevant to their appreciation, it should be able to accommodate any work of art. Aesthetics after Modernism proceeds in three steps: Part I sets out the internal structure of Greenbergian theory, focusing on the relation between his modernism and formalism, before critiquing each in turn. Part II unpacks the afterlife of Greenbergian theory by considering one sympathetic and one antipathetic response to his modernism and formalism in turn: Michael Fried and Rosalind Krauss for the former, Thierry de Duve and Arthur C. Danto for the latter. Part III returns to Kant's aesthetics, demonstrating that Kant's account of art as an 'expression of aesthetic ideas' is well placed to address the semantic content of genres such as Conceptual Art more commonly thought to exceed its grasp.


  • | Author: Diarmuid Costello
  • | Publisher: Oxford University Press
  • | Publication Date: Sep 03, 2024
  • | Number of Pages: 320 pages
  • | Binding: Hardback or Cased Book
  • | ISBN-10: 0197756395
  • | ISBN-13: 9780197756393

Reviews

0 Reviews

Write a Review

No reviews yet.

Share your experience and help another reader choose their next book.

Discover your next great book

Get new releases, reader favourites, and special offers delivered to your inbox.