An examination of Herbert Marcuses political claim for the aesthetic dimension, focusing on defamiliarization as a means of developing radical sensibility. In Uncommon Sense, Craig Leonard argues for the contemporary relevance of the aesthetic theory of Herbert Marcusean original member of the Frankfurt School and icon of the New Leftwhile also acknowledging his philosophical limits. His account reinvigorates Marcuse for contemporary readers, putting his aesthetic theory into dialogue with antiracist and anti-capitalist activism. Leonard emphasizes several key terms not previously analyzed within Marcuses aesthetics, including defamiliarization, anti-art, and habit. In particular, he focuses on the centrality of defamiliarizationa subversion of common sense that can be a means to the development of what Marcuse refers to as radical sensibility. Leonard brings forward Marcuses claim that the aesthetic dimension is political because of its refusal to operate according to the repressive common sense that establishes and maintains relationships dictated by advanced capitalism. For Marcuse, defamiliarization is at the center of the aesthetic dimension, offering the direct means of stimulating its political potential. Leonard expands upon Marcuses aesthetics by drawing on the work of Sylvia Wynter, going beyond Marcuses predominantly European and patrilineal intellectual frameworkwhile still retaining his aesthetic theorys fundamental characteristicstoward a human dimension requiring decolonial, feminist, antiracist, and counterpoetic perspectives.
- | Author: Craig Leonard
- | Publisher: The MIT Press
- | Publication Date: Sep 27, 2022
- | Number of Pages: 256 pages
- | Language: English
- | Binding: Paperback/Art
- | ISBN-10: 0262544466
- | ISBN-13: 9780262544467