Sale Now on! Extra 5% off Sitewide

Trauma-Tragedy: Symptoms Of Contemporary Performance

Manchester University Press
SKU:
9780719099885
|
ISBN13:
9780719099885
$30.74
(No reviews yet)
Condition:
New
Usually Ships in 24hrs
Current Stock:
Estimated Delivery by: | Fastest delivery by:
Adding to cart… The item has been added
Buy ebook
Trauma-Tragedy investigates the extent to which performance can represent the "unrepresentable" of trauma. Throughout, there is a focus on how such representations might be achieved and if they could help us to understand trauma on personal and social levels. In a world increasinglypreoccupied with and exposed to traumas - social, personal, political, violent, psychological, fictional, local, global - this volume considers what performance offers as a means of commentary that other cultural products do not.The book's clear and coherent navigation of the key theories within performance studies and its analysis of key practitioners and performances (from Sarah Kane to Societas Raffaello Sanzio, Harold Pinter to Forced Entertainment, and Phillip Pullman to Franco B) make it accessible and useful tostudents of performance and trauma studies at all levels. Yet its rigorous and incisive interrogation of the complex relationship between performance, spectatorship and trauma make it of particular interest and usefulness to scholars and specialists.Duggan explores ideas around the phenomenologicaland socio-political efficacy and impact of performance in relation to trauma. Addressing questions of witnessing, presence, ethics and kinaesthetics, Trauma-Tragedy employs trauma and performance theories as the central theoretical frames but draws also on sociology, postmodernism and metaphysics inanalyzing a range of contemporary performances as well as social and "everyday" events that might legitimately be modeled as performative.Ultimately, the book advances a new performance theory or mode, "trauma-tragedy", that suggests much contemporary performance, from live art through the so-called "in-yer-face" theatre of the 1990s to popular theatre, can generate the sensation of being present in trauma through its structuralembodiment in performance, or "presence-in-trauma effects". This book is aimed at scholars and students of Theatre, Drama and Performance, Trauma Studies, Cultural Studies, Sociology, Media and Communication and those concerned with questions of trauma, politics, ethics, and aesthetics in otherdisciplines.


  • | Author: Patrick Duggan
  • | Publisher: Manchester University Press
  • | Publication Date: Oct 14, 2015
  • | Number of Pages: 240 pages
  • | Language: English
  • | Binding: Paperback
  • | ISBN-10: 0719099889
  • | ISBN-13: 9780719099885
Author:
Patrick Duggan
Publisher:
Manchester University Press
Publication Date:
Oct 14, 2015
Number of pages:
240 pages
Language:
English
Binding:
Paperback
ISBN-10:
0719099889
ISBN-13:
9780719099885