Music And The Benefit Performance In Eighteenth-Century Britain

Cambridge University Press
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9781108730150
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9781108730150
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In the early eighteenth century, the benefit performance became an essential component of commercial music-making in Britain. Benefits, adapted from the spoken theatre, provided a new model from which instrumentalists, singers, and composers could reap financial and professional rewards. Benefits could be given as theatre pieces, concerts, or opera performances for the benefit of individual performers; or in aid of specific organizations. The benefit changed Britain's musico-theatrical landscape during this time and these special performances became a prototype for similar types of events in other European and American cities. Indeed, the charity benefit became a musical phenomenon in its own right, leading, for example, to the lasting success of Handel's Messiah. By examining benefits from a musical perspective - including performers, audiences, and institutions - the twelve chapters in this collection present the first study of the various ways in which music became associated with the benefit system in eighteenth-century Britain.


  • | Author: Matthew Gardner|Alison DeSimone
  • | Publisher: Cambridge University Press
  • | Publication Date: Jun 23, 2022
  • | Number of Pages: 302 pages
  • | Language: English
  • | Binding: Paperback/Music
  • | ISBN-10: 1108730159
  • | ISBN-13: 9781108730150
Author:
Matthew Gardner, Alison DeSimone
Publisher:
Cambridge University Press
Publication Date:
Jun 23, 2022
Number of pages:
302 pages
Language:
English
Binding:
Paperback/Music
ISBN-10:
1108730159
ISBN-13:
9781108730150